WCS Actor’s Studio · Fall 2026

Imagination is resistance.

Viewpoints & Ensemble Practice

This is a laboratory to train your instrument, heart, mind, body, and soul, and to align with artists who commit to the idea of ensemble.

Join us. Train the human. Not AI.
The WCS ensemble gathered in rehearsal at Calvary Presbyterian Church

The company of Henry V (2025), in rehearsal

Three ways to train this fall

The WCS Actor’s Studio fall term

Wisconsin Classic Stage trains actors the way a musician trains an instrument: daily, physically, together. This fall we’re opening three doors in: an ongoing ensemble practice, a two‑week intensive on voice and command, and a five‑week scene lab built around George Bernard Shaw. Come for one. Stay for the whole arc.

Viewpoints Ensemble Training flyer — Saturdays September 5, 12 and 26, 10 to 11:30am, WCS Actor's Studio, Calvary Presbyterian Church, $5 suggested donation
$5 suggested donation Reserve Your Spot →
Act I · Flagship Training

Viewpoints Ensemble Training

Imagination Is Resistance

Our flagship class, offered year‑round as scheduling allows
WhenSaturdays · Sept 5, 12 & 26
Time10:00 – 11:30 AM
WhereWCS Actor’s Studio
Fee$5 suggested donation

This is a laboratory to train your instrument, heart, mind, body, and soul, and to align with artists who commit to the idea of ensemble.

Viewpoints Ensemble Training is an accumulating experience: each Saturday builds on the last, so we hope you’ll join us for the full three‑session arc. Expect work that is physically rigorous and full of embodied joy. This is ensemble training, in the truest sense: imagination held in common.

Space Shape Time Emotion Movement Story

Led by Josh Pohja, Executive Artistic Producer & Education Director, WCS Actor’s Studio

Act II · Two-Week Voice Intensive

Architecture of Sound

with Mark Corkins

WhenTuesdays · Sept 15 & 22
Time7:00 – 8:30 PM
WhereWCS Actor’s Studio
Fee$40 course fee
Breathwork Projection Memorization Endurance Command Presence Confidence

Mark Corkins is a Milwaukee‑based actor, teacher, and voice/speech teaching artist. A graduate of UW–Milwaukee’s Professional Theatre Training Program, he spent many seasons as a resident actor with Milwaukee Rep, with favorites including True West, King Lear, Dracula, and several productions of A Christmas Carol, plus summers with Utah Shakespeare Festival, American Players Theatre, Berkshire Theatre Festival, and SITI Company. He built this class from a career spent learning what makes a voice fill a room.

Taught by Mark Corkins

Architecture of Sound flyer with Mark Corkins — Tuesdays September 15 and 22, 7 to 8:30pm, WCS Actor's Studio, $40 course fee
$40 course fee Reserve Your Spot →
George Bernard Shaw Scene Lab flyer — November 3, 10, 17, 24 and December 1, 6:30 to 8:30pm, WCS Actor's Studio
$100 course fee Reserve Your Spot →
Act III · Five-Week Scene Class

Bernard Shaw Scene Class

Rhetoric, Wit & the Joy of Language

WhenNov 3, 10, 17, 24 & Dec 1
Time6:30 – 8:30 PM
WhereWCS Actor’s Studio
Fee$100 course fee

George Bernard Shaw gives actors something extraordinary: the opportunity to experience intelligence as theatrical pleasure. His characters argue, seduce, provoke, contradict, maneuver, and delight in the sheer pleasure of trying to change another person’s mind. Beneath the elegance of Shaw’s language is an actor’s playground, where thought has velocity, language has consequence, and a brilliantly turned phrase can change the temperature of an entire room.

Rhetoric, Wit & the Joy of Language places the actor inside that world. Working from selected Shaw scenes, Josh Pohja leads actors through the architecture of rhetoric and the discovery of how language becomes action: how an argument shifts, how a question can become an attack, how a joke can establish power, and how a carefully constructed sentence can remain completely spontaneous in performance.

Rather than treating rhetoric as an academic exercise, we approach it as a source of freedom: actors investigate syntax, punctuation, breath, rhythm, articulation, timing, status, interruption, and persuasion while asking the essential theatrical question: what am I trying to make happen to the other person?

  • Rhetorical fluencyTurn argument, irony, persuasion, reversal, and contradiction into playable action.
  • Vocal & verbal commandGreater ease, clarity, musicality, and pleasure with complex language.
  • Comic intelligenceTiming, status, surprise, escalation, restraint: the joy of intelligent comedy.
  • Dynamic listeningLet your scene partner’s thoughts genuinely change your own.
  • Freedom with heightened textThe confidence to make sophisticated language feel immediate and alive.

That is the pleasure of Shaw, and the pleasure of classical actor training at Wisconsin Classic Stage: rigor in the service of freedom, intelligence in the service of play. Come think. Come argue. Come laugh. Come play with the language.

Led by Josh Pohja, Executive Artistic Producer & Education Director, WCS Actor’s Studio

Josh Pohja kneeling with script in hand during rehearsal

Josh Pohja, Director of Education

Josh Pohja and Anne Bogart training together, 1998

Josh Pohja & Anne Bogart, 1998, Saratoga Springs, NY · SITI Company

About your instructor

Trained in the lineage. Teaching what it demands.

Josh Pohja is Executive Artistic Producer and Director of Education at Wisconsin Classic Stage, where he leads the Actor’s Studio and its ensemble training. His own training runs directly through the source: a graduate of Carnegie Mellon University’s School of Drama (Class of ’99), he has worked as a professional actor at theaters including The Guthrie Theater, Milwaukee Chamber Theatre, Alley Theatre, the New York Fringe Festival, and The Acting Company, and trained alongside Anne Bogart and the SITI Company, immersed in Viewpoints and Suzuki training in Saratoga Springs.

That lineage is what he brings into the room every Saturday morning, training that treats the actor’s instrument as something built over time, in the company of other committed artists, and passed forward hand to hand.

Where & what to expect

Come as you are, ready to work

Location

WCS Actor’s Studio
Calvary Presbyterian Church
628 N. 10th St., Milwaukee, WI 53233

Get directions →

What to bring

Comfortable clothing you can move freely in, bare or sock feet for floor work, and a water bottle. Come ready to work with your whole instrument.

Who it’s for

All levels of ensemble experience are welcome. The work is rigorous and built for joy, and space in each session is limited, so reserve ahead.

Access & education fund

Training should never be out of reach.

Our suggested fees and course costs cover the room, the instructors, and the craft, but they’re never meant to be the reason someone stays outside the door. If you’re able, a gift to our education fund helps us hold scholarship spots for actors who want this training and can’t yet afford it. If you’re the one who needs that seat, reach out. We mean it when we say all are welcome to train.

Support the Education Fund Questions, or need a scholarship spot? Email education@wisconsinclassicstage.com